Hollywood was host to a very special reception this evening as guests gathered at Mann’s Chinese 6 for the first ever look at The Green Hornet trailer that just debuted online. Joining the private screening was director Michel Gondry, star Seth Rogen, writer Evan Goldberg and producer Neal Moritz, who fielded questions with an audience of journalists and their friends.
Following the Q and A, and a double-helping of the trailer, ComingSoon.net/SuperHeroHype headed across Hollywood Blvd to the green room at “Jimmy Kimmel Live” where Seth was to present the trailer to the rest of the world.
Unfortunately, a fluke power outage left everyone backstage in the dark and the ever-resourceful Jimmy Kimmel instead taped Seth’s interview on his laptop with Apple Photobooth. Because of the technical difficulties, the trailer won’t make its television premiere until tomorrow night (when ABC hopes to air the actual recorded-in-the-dark interview), but it’s now online for you to enjoy. Check out the trailer below as well as the full Q and A from the theatrical screening (click on the photos for bigger versions!):
Q: Can you sum up the basic story in your own words?
Seth Rogen: To explain it, I guess, briefly, I’m an irresponsible kind of idiot (as one might imagine) and my father dies and I form a friendship with someone else who did not have the highest opinion towards him. One of his employees, Kato. Through that friendship, we realize that maybe we can create this kind of thing that will help us both live out our dreams. In time, we realize that each other’s personalities are the most difficult thing to overcome and try to form this thing. That’s how the story goes.
Michel Gondry: We see a bit of his childhood and home. This friendship finds its resolution through his inner voice. He’s talking to his dad in his mind
Q: Some of the shots look very different in terms of how the action is shot. Is this the final look of “Kato Vision” or is it still evolving?
Rogen: [There are] two steps to “Kato Vision” as I guess we’ve called it. The way you see the fights as an observer and then the way Kato sees fights in his own eyes.
Q: Have you reconsidered how you stage fights, now that you’re doing it in 3D?
Q: This is the first time an audience has seen any of the movie? How involved were the four of you in deciding what went into the trailer? Do you have another version of this trailer?
Neal Mortiz: We really showed it a lot and we got a lot of feedback. We tested the trailer a lot of times quite a few times to make sure that what we liked about it was the same thing that the audience was going to like about it as well.
Gondry: We wanted to make sure our enthusiasm for the story and the characters would be portrayed. We really worked close. For the first time I’m really excited about the movie.
Moritz: The goal of the movie is the relationship between Kato and Britt and in the subsequent trailer we really want to develop that more.
Rogen: We have to introduce the idea of the Green Hornet to people first. There will be more trailers and more advertisements down the line and we can explore the intricacies of what the movie is about. To make sure people understand the general concept of what it is we are doing.
Q: There’s sort of been the idea in the past that Kato is more the superhero and the Green Hornet is a work in progress? Is that still an aspect that will remain?
Rogen: We didn’t want the joke to be, “look at this!” One of complete and utter goofiness and complete physical incompetence at all times. And we knew that, ultimately, it had to live up to the expectations of a superhero movie and needs to have the kind of action, full-blown action that people expect from that genre and we knew that we couldn’t just rest on the comedy to make it interesting.
Moritz: Something they create together.
Q: What kind of tone are you going for? What kind of tone do you see emerging? Balancing action and comedy? This is clearly not some kind of dark superhero film.
Moritz: We always talk about it as an action movie with comedy versus a comedy with action.
Rogen: Michel and Sally [Menke], our editor, are really coming up with a lot of interesting ways to tell the story, Both of them are really great at that. She had “Pulp Fiction” and movies like that, which really are great at telling the narrative, the story and it’s really amazing to see what they’ve done in the editing room and how giant a creative step the movie has taken, leaving it in Michel and Sally’s hands for a little while. It’s really exciting for us as fans to see our movie filmed and then taken to this whole other place.
Q: How close does storyline fit into the comic?
Goldberg: The one constant is that he poses as a criminal to catch criminals.
Q: 3D conversion process has gotten criticisms lately because of “Clash of the Titans” and “Alice in Wonderland.” What measures are you taking to avoid pitfalls?
Rogen: It’s like any other visual effect. There’s really good applications of it and really bad applications of it. It all depends on whose hands it’s in. You look at CG sometimes and it’s terrible. You look at CG sometimes and it’s great. I think it’s no different. Very good versions and very bad versions. I think it’s like any other creative decision. It’s going to be gauged by the levels of enthusiasm… of the creative people behind it. It’s something that we all feel really strongly about… something that we’ve always wanted to do… since the first idea of this movie came along. I’ve been working in 3D movies for years. I started in “Monsters vs Aliens” almost four or five years ago. It was then that I traveled around the world with Jeffrey Katzenberg, hearing him pontificate on 3D and what a big evolution it was going to be. So its always something I’ve been a big fan of. It started in the society of the 60’s I believe so its always been something we’ve been big supporters of and I think just like I said there’s good versions and bad versions and we hope to do a really good version.
Gondry: You could imagine a movie in 2D in 3D and transform it. If you take this type of movie where they really use the full depth of field. This movie, if it was transformed in 3D, would use much more fast editing. And even before we could do it in 3D, we’d talk about the fight or we’d say, “Okay, we don’t want to rely too much on the other team, so we didn’t make it so fast with editing and this is a very important element to make 3D work well.”
Moritz: We didn’t make a rash decision by any means. We saw a lot of demonstrations with a lot of different companies and then ultimately brought in a number of these companies into the editing room and then went through the film with them together and really looked at the pitfalls, Positives and negatives to doing it. And kind of weighed those all out before we even approached the studio and asked them to let us turn it into 3D which is obviously a huge financial impact. After that as well. And I remember Amy Pascal said to us, “this is going to cost a lot of extra money. Are you sure about this?” And we were because we had done so much homework on it. And we did not want to be reprimanded like “Clash of the Titans” was. We really wanted to take our time and do it right.
Rogen: First thing people like you say is that the studio is forcing us to do it and it’s a quick fix. The funny thing is it could not be more opposite. It was us begging and pleading as creative entities to the studio to allow us to have this tool to tell our story in an original way. And were super excited that were able to do it.
Gondry: There were some ideas. The father relationship is such that, even after he’s passed away, he keeps talking to him in his mind. Several times. We got this idea to represent his father by his silhouette, which you can only see if you watch the movie in 3D. In 2D you would hear the voice but in 3D, he’s going to pop out. So that’s why we were so thrilled to be able to execute this in 3D. We always had the voiceover of the father in the story but then when we decided to do it in 3D, it was perfect.
Q: In marketing this film, are you gonna try to evoke the Bruce Lee thing? Some kind of selling point?
Moritz: No one here thinks that we will replace or be better than what Bruce Lee was.
Rogen: Yeah, we didn’t try. Just as different as I am from Van Williams, Jay is from Bruce Lee. We wanted to create new characters in telling it.
Gondry: Of course, for any actor from Asia, it’s a very heavy task over Bruce Lee. So Jay never wanted to emulate Bruce Lee by any means. Did not want to use his type of expression, sound or scream. So out of respect we didn’t want to mimic him.
Rogen: Yeah, he definitely was very conscious of not doing a Bruce Lee impression. He wanted to make his own character. He was into that and thank god he did because he makes a great Kato.
Q: Since the character is lesser known than, say, Superman or Spider-Man or other superhero movies, is there any concern going into that? Marketing-wise?
Q: We are a month away from Comic-Con? Are you guys gonna be there and what are you gonna show the fans?
Rogen: Yeah, we’ve already been looking at stuff to show. We are all Comic-Con fans and as comic book nerds and its important to us to show respect for those people who go out there and shove their ass there.
Goldberg: Show the whole movie backwards. With voice over of the teaser guy.
Q: Is there more of bringing your Michel Gondry style to a comic book? I didn’t see it much in the trailer. Is there more?
Rogen: Originally, I was going to be made a string.
Q: Seth you talked about always being a comic book fan, is this the first time you’re getting an action figure that’s actually you?
Q: More than people are saying “This is the Green Hornet movie” than are saying “This is the Seth Rogen action movie.” You slimmed down. What is your approach to getting people over that hump to Seth Rogen as an action hero?
Gondry: What I was hoping when I took the job, basically is that my contribution could help that. I think that with Jim Carrey, as good as he was at being a comedian, he was excellent at being much more dramatic in “Eternal Sunshine.” I think Seth is selling himself short a little bit because I think that he really conveys a really complex and interesting character and what I hope is that people will see him evolve.
Rogen: It’s true that part of the reason we decided to approach Michel was that we knew that it was gonna be something different, taking it in a new direction and that he was traditionally someone who worked with comedic actors and took them in new directions. Just as he had taken people not traditionally known as comedic actors and made them much funnier than they were before as Kate Winslet in “Eternal Sunshine.” That’s something that was one of his strengths and something that we hoped he could bring to this.
Q: Who was really the champion among you guys who said to Sony, “We need to make THE Green Hornet movie?”
Rogen: Yeah, we’ve all been champions at different times. Where does an idea come from? I’m sure “Inception” will answer that for all of us. It’s hard to think… I mean Michel Gondry was attached to a “Green Hornet” movie 13 years ago. It’s hard to say who is the first one who wanted to do it. I would say that no matter what they are making a “Thor” movie and no matter what they are making a “Captain America” movie. But they are not no matter what making a “Green Hornet” movie. We had to work really hard to have them let us do it. It wasn’t a given that it was eventually going to get made no matter what. We were lucky enough to be the guys that got to do it. We really creatively saw this as an opportunity that was exciting to us and we’ve all fought really hard. A lot of uphill battles. A lot of bad press, a lot of strikes against us and it hasn’t been easy but ultimately we are all really proud of the movie. We all love the movie and I’m excited to be able to show you some of it. I was just saying to Evan as we were walking up here “Today is the first day I believe this might get released,” which is exciting.
Moritz: I’ve been involved in a movie where we had so many starts and stops and I think it was August of last year that Amy Pascal was on vacation and I think that was the reason we got to go ahead. It’s been a great experience.
Rogen: Honestly, it’s something we all strongly agreed. We were passionate about. It’s an idea for some reason. The relationship between those two guys. The idea of exploring that relationship. It’s creative. Evan and I, as writing partners, Michel as the director, make these relationships and you try to make something out of it and it’s something that we all felt very strongly about. It was not a movie that was going to get made no matter what. It’s something we had to will into being. We had to work to make happen. If we didn’t do it there would not be a “Green Hornet” movie on screen right now.
Q: Seth, you’re know for improv. Was there much improv on set?
Gondry: I think always my interest in making movies is to have something really technical mixed with something that was not so formal… something free. I realized very soon that it’s not because there are constraints like that and there is a lot of it in camera effect. The person wants us to be stiff. That is a lot of time the actor. They don’t think too much about what they have to do to act or be funny. This context is a very good or great performance.
Q: What was it like working with Christoph Waltz? What comes from his background in European cinema?
Q: Have you started work on score? Can you talk about the process and what we should expect?
Rogen: Watching him and Michel weird out together is pretty rad.
Q: How was working with Cameron Diaz? How much did she get into all the action?
Rogen: As to how much she gets involved in the action, we should keep that somewhat under wraps. She’s amazing. She gets very involved creatively. The character is very important to us that it was not just an obligatory character. The character added a lot to the movie both comedicaly and story-wise. She had a lot of great ideas. Anytime someone that famous puts any extra effort into anything. I really feel great about it. Anyone that famous… you don’t expect them to get involved at all. Evan literally had a party one night and she showed up when Evan was really drunk and literally gave him two hours worth of notes and made Evan drunkenly type them on his computer. And I thought wow, that’s so impressive.
Goldberg: She came in like ten times to help Jay Chou learn English.
Rogen: His English at first was a little sketchy at times. She put an enormous amount of time and energy into making sure that their scenes were natural and understandable and very loose and funny. Again, its the kind of thing where you’re like “She’s too f**king famous to be doing this. She should be on her island.”
The Green Hornet opens in 3D, 2D and IMAX 3D theaters on January 14, 2011.