September 30, 2005 (NY, LA)
Studio: Sony Pictures Classics
Director: Bennett Miller
Screenwriter: Dan Futterman
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins Jr., Mark Pellegrino, Bruce Greenwood, Chris Cooper, Amy Ryan, Bob Balaban
MPAA Rating: R (for some violent images and brief strong language)
Official Website: Capotefilm.com
Review: 9/10 rating
DVD Review: Not Available
DVD: Click here to buy!
Movie Poster: View here
Production Stills: Not Available
Plot Summary: From Gerald Clarke, author of the book "Capote: A Biography".
"Truman, I've been asked to write your biography. Will you cooperate?"
From the other end of the telephone there was a short pause and an even shorter answer - "Sure." And so I began.
I thought my book would be relatively easy to write. I had, after all, written many profiles of famous and talented people for Time magazine - a list that eventually included everyone from Mae West to Susan Sontag, Elizabeth Taylor to Joseph Campbell. I had also done a series on writers for The Atlantic and Esquire. Gore Vidal. Allen Ginsberg, the Beat poet Vladmir Nabokov, the creator of Lolita. P. G. Wodehouse, the comic genius behind Jeeves. And, finally, Truman Capote, who was then the most celebrated writer in America-the author of In Cold Blood, the publishing phenomenon of the sixties and a book that has influenced the writing of nonfiction writing ever since. It was that last article that prompted a call from a publisher and my own call to Truman.
I thought my book would take two years, three at most, and that writing it would be a lark, interviews at fancy restaurants and gallons of good vintage wine at the best table in the house. When Truman Capote walked through the door, headwaiters did everything but salaam in their desire to please. "You might say Truman Capote has become omnipotent," said one newspaper, and for a decade and more he very nearly was.
I was right about the interviews in fancy restaurants and the giddy gallons of Beaujolais. But I was wrong about everything else. If he had known how long In Cold Blood would take, and what it would take out of him, he would not have stopped in Kansas, Truman later said. He would have driven on - "like a bat out of hell." I sometimes said much the same. What I had not anticipated was the drama that surrounded every minute of Truman's life, dramas in which I sometimes also became a participant. As a result, my own book took more than thirteen years. Some lark! Writing it was the hardest thing I have ever done. It was also the most exhilarating.
In search of information I crisscrossed the United States and traveled several times to Europe. One of my destinations was of course, Kansas, the setting for In Cold Blood. I came to know all but two of the main characters in Capote, the movie. Harper Lee, who helped Truman with his research and who was soon to have her own hugely successful book, To Kill a Mockingbird. Alvin Dewey, the lead detective for the Kansas Bureau of Investigation, and his wife, Marie. William Shawn, the editor of The New Yorker. And Jack Dunphy, Truman's longtime companion.
The two I did not interview were the killers, Perry Smith and Dick Hickock. They were executed in 1965. But I got to know them - intimately, I thought - through the forty or so letters they wrote to Truman. Most of their letters run several pages, and they are unsparing windows into life on death row. Truman gave them to me, and Dan Futterman, who wrote the screenplay of Capote, is the only one I've ever let see them. Their dialogue in the movie reflects, almost word for word, what Perry and Dick actually said.
The movie's script is all Dan's - and a very good one it is - but I was happy to answer his questions, large and small Would Truman have said this? Would he have done that? Bennett Miller, the film's director, and Philip Seymour Hoffman, who plays Truman, came out to my house on Long Island and asked more questions. Did Truman wear his glasses all the time? was one of the questions Philip asked. (The answer: like a lot of other nearsighted people, Truman often took off his glasses when he was sitting down.) So he could reproduce Truman's odd, childish voice - Truman did not lisp, as some writers have inaccurately stated - I gave him audio tapes from some of my interviews. Philip did the rest, and through the alchemy a few very gifted actors possess, he has done more than impersonate Truman. For the length of the movie he has resurrected him.
In the last week of June 1984 - he died in August - I had lunch with Truman every day on Long Island, followed by long talks at my house or his. "There's the one and only T.C.," he said at one point. "There was nobody like me before, and there ain't gonna be anybody like me after I'm gone." That's true - who could dispute it? For a couple of hours, however, Philip comes close.
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