Succession actress Sarah Snook appeared very different from her character’s practical look from the show at the 2025 Met Gala, donning a regal suit and a cape. The HBO star’s dramatic black bow tie and velvety cape look was designed by anOnlyChild, which she paired with a silk shirt and satin tuxedo pants.
Sarah Snook spotted wearing tuxedo and cape at Met Gala 2025
Sarah Snook wore a wide-shouldered silk suit jacket and a red and black cape to the 2025 Met Gala, which nodded to the theme — “Superfine: Tailoring Black Style.” The 37-year-old Australian actress opted for half a dozen brooches for her royal look, which featured diamonds and rubies.
Succession viewers adored Snook’s Met Gala look. Many users took to social media to gush over the star’s stunning aura. One fan posted on X, “Her first Met Gala, and she looked absolutely perfect.” Another user chimed in, adding, “Sarah Snook being one of the few people who actually understood the Met Gala theme, like THANK YOU!”
The Emmy-winning actress is currently appearing in The Picture of Dorian Gray on Broadway. Snook is playing all 26 roles in Oscar Wilde’s famous play adaptation. Preparing for a massive acting gig like that is no joke, and Snook shared her secret to fitness recently.
Speaking about how she is rehearsing for The Picture of Dorian Gray, Snook shared, “No alcohol, no caffeine. Sleep, sleep, sleep, sleep. And I do my lines at pace on a treadmill, you know.” When the interviewer shared that Taylor Swift followed a similar regime, Snook noted, “That’s a genius idea. I’m gonna do that.” (via The Daily Mail)
Additionally, Snook’s elaborate wardrobe choices for her latest Broadway feature have also garnered attention. Marg Horwell, the costume designer of the play, shared the inspiration behind Snook’s intricately detailed outfits.
Horwell told Town & Country, “The biggest question was, ‘What does the portrait look like?’ We had several versions of the show where we were going to try and make a horrific picture, but it’s hard to make something universally horrific.”
The designer added, “And it felt like what we were doing with the entire show was making a tapestry of a portrait. Because there’s one performer, she was a representation of everybody in the piece.”
