John Carpenter’s Lost Themes – that new solo album we’ve been telling you about all last month – now has a release date of February 3rd. Sacred Bones Records is handling the release and, as we told you last week, you can hear the first track, “Vortex,” here.
Jesse von Doom, the creator of the Vortex video loop says, The page takes a bunch of scenes from various John Carpenter films and turns them into a unique video each visit. It was built along with CASH Music, a nonprofit that builds free and open technology for musicians. We start with a list of favorite clips, pull them in a random order, then vary the length of each edit to bring a more unique feel to each visit. Watch long enough and you’ll see the best Kurt Russell movie never made.
John Carpenter has been responsible for much of the horror genres most striking soundtrack work in the fifteen movies hes both directed and scored. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. Its work that instantly floods his fans musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fu fighters, or a mirror holding the gateway to hell. Lost Themes asks Carpenters acolytes to visualize their own nightmares.
Lost Themes was all about having fun, Carpenter says. It can be both great and bad to score over images, which is what Im used to. Here there were no pressures. No actors asking me what theyre supposed to do. No crew waiting. No cutting room to go to. No release pending. Its just fun. And I couldnt have a better set-up at my house, where I depended on (collaborators) Cody (Carpenter, of the band Ludrium) and Daniel (Davies, who scored I, Frankenstein) to bring me ideas as we began improvising. The plan was to make my music more complete and fuller, because we had unlimited tracks. I wasnt dealing with just analogue anymore. Its a brand new world. And there was nothing in any of our heads when we started other than to make it moody.
As is Carpenters style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion.
Singularly titled to inspire dread with such names as Vortex, Dominion, Abyss, and Purgatory, but all linked into a unified whole, Lost Themes has a mesmerizing power. Horror fans will be reminded of Carpenters past works, as well as ancestors like Mike Oldfelds Tubular Bells and the raging guitars and chiming percussion of Goblins Suspiria.
Both classical music and rock and roll are part of my musical language, which is riff-driven, Carpenter explains. So if you listen carefully, Im sure you can hear some echoes from my past. But Im sure thats true of any composer. You just bring your music along with you.
These Lost Themes will doubtlessly inspire listeners to materialize their own eerily atmospheric dimensions, musical lands inspired by John Carpenters motifs, even as the composer-director looks ahead with excitement towards brave new musical worlds he can explore. The best way I can describe what weve done is that its a soundtrack sampler, which is what Cody calls it. Theyre little moments of score from movies made in our imaginations. Now I hope it inspires people to create films that could be scored with this music.