He views the project as being “full-circle” for him
Creepshow
The series is produced by Greg Nicotero
The anthology series is in the works at Shudder
The actress will return to the Creepshow universe after 37 years
The series is set to stream on Shudder.
The series will feature the work of some of horror’s most celebrated writers
“Thrills and chills celebrated in one of its truest art forms, the comic book come to life!”
Director Greg Nicotero posted a tease of what’s coming
There’s nothing like a good horror omnibus, those dark, deep, delicious multi-story features that pack in massive casts and frissons into their running times
SHOCK reviews Michael Felsher’s fantastic doc on the making of a Romero/King classic. We’ve praised horror documentarian Michael Felsher’s sterling […]
An ongoing series looking at fantastic prologues from classic and contemporary horror movies. In this ongoing SHOCK series, we’ll […]
The official Facebook Page for Destroy All Movies: The Complete Guide to Punks on Film (an essential film book one […]
Waxwork Records has officially announced its next LP release: John Harrison’s score for the 1982 horror anthology Creepshow. You can get a good look at the packaging via the gallery here.
Package art was created by Gary Pullin, and wowzers, that’s some good stuff.
This definitive release of the film score has never before been released. The original master tapes of the Creepshow film score were lost for over 30 years, but with the efforts of composer John Harrison and Waxwork Records, the tapes were located in the attic of Jeree Recording Studios in New Brighton, PA.
Kings of Horror is a month-long series in which ShockTillYouDrop.com’s Ryan Turek (@_RyanTurek) and CraveOnline’s William Bibbiani (@williambibbiani) review the big screen theatrical adaptations of Stephen King’s works.
The series began with Carrie and will end with the Carrie redo. If you’ve missed the previous episodes, visit this spot.
Today, the two put George A. Romero’s Creepshow in the spotlight. Ryan has high praise for the film… Bibbs isn’t so enthusiastic.
