Happy-Go-Lucky Review


Sally Hawkins as Poppy

Eddie Marsan as Scott

Alexis Zegerman as Zoe

Samuel Roukin as Tim

Karina Fernandez as Flamenco – Spanish Dance Teacher

Sinead Matthews as Alice

Sylvestra Le Touzel as Heather

Sarah Niles as Tash

Caroline Martin as Helen

Kate O’Flynn as Suzy

Andrea Riseborough as Dawn

Stanley Townsend as Tramp

Directed by Mike Leigh



Strange but wonderful, “Happy-Go-Lucky” is up there with some of Leigh’s best movies, driven by riveting performances from Sally Hawkins and Eddie Marsan as polar opposites thrown together.


Poppy (Sally Hawkins) is a 30-year-old London woman who doesn’t have a care in the world. In fact, everything is a laugh to her until she starts taking driving lessons from the aggressively bitter Scott (Eddie Marsan); suddenly, two people with personalities that are polar opposites must figure out how to get along in order to get through their hour together each week.


Filmmaker Mike Leigh has long specialized in creating amazing characters with his roster of talented actors, and he’s trumped himself with Sally Hawkins’ character Poppy in this modern-day slice of life that rarely goes where you expect it, that is if you want to even try to figure out where it might go.

We’re introduced to Poppy as she rides her bike around London’s Camden Town, popping into a book shop only to have her bike stolen. While most of us might get upset, she never stops smiling, always quick with a comeback to everything happening around her, whether it’s a day-after post-party comedown with her friends or just experiencing life as it happens to her.

Needless to say, Hawkins’ stunning performance is what will leave the most lasting impression. It’s a magical character unlike any we’ve seen before, and Hawkins is an absolute ray of sunlight in the role. Possibly the closest character we’ve seen to Poppy is Amy Adams’ Giselle in “Enchanted,” although this one is based completely in reality. Even so, the movie wouldn’t be the same without Poppy being forced to face the challenge of Eddie Marsan’s driving instructor Scott, a bitter loner who has no patience for her flighty quips. Both actors appeared in Leigh’s last movie “Vera Drake,” playing almost polar opposites to their characters here, but together with Leigh, they’ve created something unlike Leigh’s previous films, harking back to the lighter tone of “Topsy-Turvy.” When Hawkins and Marsan are on screen together in their four driving lessons, their chemistry–like mixing nitrous oxide with glycerol–creates some of the most memorable screen moments this year. Both characters are so engaging, that you can’t help but find parts of both them you can relate to. In someone else’s hands, this might be the makings of a formulaic romantic comedy, but in the hands of Mike Leigh, it becomes fodder for the exploration of two of the most basic human emotions, happiness and anger, taken to their fullest extreme.

Sure, one can readily see how Poppy’s demeanor might get annoying after a while, but compared to the dimwitted comic heroines we’re used to seeing in Hollywood romantic comedies, she’s such a breath of fresh air. What’s amazing is how readily Poppy is able to turn off her flippant behavior when she’s around the young children she teaches, particularly one boy with a serious problem. Other than the driving lessons, some of the more interesting scenes are those between Poppy and her roommate and best friend Zoe (Alexis Zegerman), whose worldview is closer to the cynical optimism we all thrive for. The movie is filled with a lot of subtle humor, but clearly the funniest tangent for the film is the bizarre flamenco dancing lesson where the teacher, played by Karina Fernandez, gets a little too emotional, a hilarious punchline to a very funny scene.

Some of the scenes in the movie might seem unnecessary to the overall story, seemingly acting as red herrings to where the story might go, like whole tangent of Poppy throwing off her back jumping on a trampoline, complete with chiropractor’s visit. What these scenes achieve is to show many different sides of this multi-faceted character. We learn far more about Poppy through her interaction with co-workers, friends, family and even complete strangers like a homeless man (Stanley Townsend) suffering from such severe psychosis you feel Poppy’s putting herself in danger. It’s certainly one of the oddest scenes in the film, but it gives another example of what a caring and compassionate woman Poppy is despite all her joking.

For the most part, the film follows Poppy along a fairly normal daily routine, but as the film progresses, we start to see the cracks in Poppy’s never-failing humor, especially once her relationship with Scott finally comes to a head late in the film.

The Bottom Line:

One might see this delightfully entertaining movie as Leigh’s commentary on the negativity of a world that needs more people like Poppy to shake us out of our worries and fears with a smile and a joke. Even so, it isn’t a message movie as much as a character study, not one driven by heavy plot developments, but by the realism of how one’s environment and those around us bring out different sides of our personality.


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