INTERVIEW: Edgar Wright, Michael Cera and Anna Kendrick Talk ‘Scott Pilgrim vs. the World’

So Bryan O’Malley gave you ten characteristics about each character and Anna, yours is actually based on his sister.

AK: Yeah, I didn’t get a list but I met Stacey in real life.

EW: You got the human list.

AK: Yeah, I got the human experience. It was cool. She actually worked at Second Cup, which I do in the movie, and she gave me her name tag to wear in the movie. So the “Stacey” name tag is actually her name tag.

Did you do any barista method acting? Did you go work at a Starbucks for a year or anything like that?

EW: Like Daniel Day-Lewis. [Laughing]

AK: No, but … In Canada… I’m such an idiot. I didn’t even know Second Cup was a real place. I just knew it from reading the books. I went to rehearsals and in our hotel was a Second Cup, and I was like, “Oh my god! This is the Second Cup! I found it. I didn’t even know it was real!” I was asking for coffee, and I tasted it and I was like, “This is really great!” And it’s like Starbucks over there. It’s like going into a Starbucks and going, “Oh my god, I didn’t even know this place was real.” And I was like, “This is really good coffee you guys!” Ugh!

Well it’s like I always say, Canada only exists in our mind anyway. So you’re kind of off the hook with that.

MC: That’s kind of the comment that the film makes. In a roundabout way.

EW: We’re planning on going into the theater showing Inception and splice Scott Pilgrim vs. the World onto the end of it so it seems like the final dream.

MC: I thought you were saying Splice was going to be in it? The film Splice.

AK: Yeah.

EW: It’s a triple-feature with Splice in the middle…

The fake trailer for Don’t directed by Edgar Wright as one of the trailers included in Quentin Tarantino and Robert Rodriguez’s Grindhouse

Or Don’t right in the middle…

EW: [Laughing] Oh my god. You just come up with the craziest triple-bill of all-time.

It would seem based on the quality of Scott Pilgrim the only way to approach a video game movie is to make a movie that’s not based on a video game.

EW: Yeah, that was something in the back of our heads when we were writing it. A funny aspect to it in the same way, there was a point before how Batman and Spider-Man changed things and how the great comic book movies of the ’80s were not comic books. RoboCop, when that came out, was like the best comic book movie ever and it’s not based on a comic book. I guess in the back of our minds we thought it would be interesting to make a video game film that’s not based on a video game, but it’s kind of like a flourish, a structural thing, because at heart it’s a love story. It’s a love story about young love and its pitfalls and up and downs.

Did it make it easier to use the video game style? Michael Cera going through battle situations and doesn’t have to be dressed up in blood…

MC: It’s powder fun.

Might have to address the hair but that’s about it.

EW: It is a PG-13 and there’s really no blood and gore in the books. One of the ideas with the fight scenes is they were more like video game fights where people get knocked down, but get straight back up again. There is like a Mario element to Scott Pilgrim to where he’s tenacious, if not indestructible.

I’ve never read the comic, but I know there was some doubt around Michael Cera playing Scott Pilgrim. Was he always the guy for you?

EW: I know he’s sitting right next to me, but he was always the first and only choice for me. If there was any sort of question mark it was people’s perception of the character. Me and Brian Lee O’Malley discussed this a lot. When you read the books there’s a question mark, and you’re in one of two camps. Is Scott Pilgrim awesome? Or does he believe himself to be awesome? Both me and Brian Lee O’Malley are in the latter camp, your lead character has an inflated sense of his own worth and skill and general awesomeness. If you read the books by the time you get to the last book he becomes an unreliable narrator. So Scott Pilgrim is telling you he’s awesome rather than he actually is. It’s not like he’s an action hero, it’s not like Vin Diesel would’ve been better for the part.

The rumor is Matt McConaughey screen-tested better.

MC: My hair is more like the drawings though.

EW: There was a bongo scene in the first draft.

Michael, did you identify with the character? The story is rather relatable to people in terms of young love which is something pretty much everyone experiences and another reason that “25 and older” idea is kind of ridiculous to me.

MC: It’s such a huge tone that it’s not something I thought about relating to really. It’s something I felt a lot better about it after we’d rehearsed it a bunch. I felt more confident going into the shoot. Reading the graphic novels, I relate to the voice of them, if anything, that’s what I’d relate to. They are written in a very familiar voice. It feels like you’re hanging out with friends.

EW: I hope people relate to it. I think most people have had this experience, it’s about the blind optimism of young love. And then about growing up, and to use a line from the film, it’s not all peaches and gravy. So that’s an experience that Scott Pilgrim, Knives Chau, and Ramona Flowers all have, that young love isn’t all it’s cracked up to be. And the way to move on is to move into a relationship is a little bit more adult, where you can forgive each other your flaws.

I noticed that people laughed over a lot of the secondary punch lines. When you’re editing, do you worry about that sort of thing or is more like throw everything at ’em you’ve got?

EW: The first time you saw Airplane did you laugh so much that you had to watch it a second time because you missed stuff? These are high level problems to have. The worst crime is to leave a gap. If you’ve ever seen the film version of the Broadway [show] Producers they leave the same gaps they did on the stage and it feels very strange to watch. On stage they know where the laughs are, on stage it works, but it’s much better to just hammer through. I’d rather try and cram in another two gags then leave a pause to say “hey, wasn’t that bit funny?”

Where did the “Seinfeld” musical cue come from?

EW: That was my idea, but it came from a bit in the book. There’s a bit where Scott and Ramona kiss and there’s a little arrow and it says “studio audience” and it went “aaah.” I thought that was so sweet, and we wrote that into the script. And the next scene was him coming back all cocky after making out with Ramona the night before so we thought he should do a Kramer style entrance, or a Fonzie style entrance. And then the thing was we should show the entrance with the [makes “Seinfeld” noise]. “Happy Days” was the first show where that really started to happen, where the show would stop for like 30 seconds every time Henry Winkler came in.

Anna, do you look at 2010 and say “This is a joke that I’m not getting an Oscar Nomination” or do you expect one for Scott Pilgrim too? I mean, you were pretty supporting here.

AK: The weird thing is I met Edgar for the first time before I even knew what Up in the Air was and before I shot the first Twilight film. And somebody, a journalist at a roundtable, said to me “Oh, you must have done this before Up in the Air and Twilight because you wouldn’t have done it otherwise.” But I absolutely would have done it otherwise.

Journalists are the worst.

AK: Yeah, like what is wrong with you guys? I don’t know, she was being kind of snarky or whatever. I’m sort of floored by everyone else’s performance here, and envious in the sweetest way that I can think of in terms of how well everybody does in the movie. I’m just really happy to be grouped in with these people. These actors might not be people that my mom and dad know, but I’ve known who Alison Pill and Mark Webber are for years. It’s such a seasoned and professional cast, especially for a young cast.

EW: That’s what’s funny to me, people saying “All these new young faces” and I’m thinking most of these people have been working for ten years even if they’re twenty.

The thing that was great about making this film was creating this universe, and so much of that is the casting. I couldn’t ask for a more amazing ensemble. One of the things that’s great about the books is you get a great sense of a Greek chorus in Scott’s life, all the people trying to advise him. So it was amazing having a killer ensemble of comic actors even before you get to the seven exes. I really wanted to create world and to have Anna and Allison and Kieran Culkin in supporting roles is amazing.

Edgar, what’s up next for you? Is Them still on your slate?

EW: I think Them might be on the backburner, I’m not really sure what’s happening with that one. But just to clarify that’s not a remake of the ants film it’s an adaptation of the Jon Ronson book.

MC: Is [Them] a filmic version of the TV show Totally Hidden Extreme Magic?

EW: [Laughs] I’ve never even heard of that show!

MC: It’s on the SyFy Channel.

EW: I’m going to say “yes.”

MC: It was a great show. A great show.

AK: Can we make that movie?

EW: You’ve got the exclusive now, the three of us are making a big screen adaptation of Totally Hidden Extreme Magic.

And Anna, you’ve just completed a cancer comedy, right?

AK: Yeah, we finished what is now an untitled film (tentatively titled Live With It) that I think is going to be pretty good. Look at that!

You obviously did that one for a paycheck.

AK: Awww, man! I wish.

And Michael, you’re replacing Robert Pattinson in The Twilight Saga: Breaking Dawn – Part 2, correct?

MC: I think so, yeah. But I’m going to change my character’s name to Edgar so there will be a “Team Edgar.”


Scott Pilgrim vs. the World hits theaters this Friday, August 13. For more information, trailers and to browse the RopeofSilicon gallery of 53 images from the film click here.

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