Alien vs. Predator – Requiem (Unrated)

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Rating: Unrated

Steven Pasquale as Dallas Howard
Reiko Aylesworth as Kelly O’Brien
John Ortiz as Sheriff Eddie Morales
Johnny Lewis as Ricky Howard
Ariel Gade as Molly O’Brien
Kristen Hager as Jesse
Sam Trammell as Tim
Robert Joy as Col. Stevens
David Paetkau as Dale Collins
Tom Woodruff Jr. as Alien
Ian Whyte as Predator
Chelah Horsdal as Darcy Benson
Meshach Peters as Curtis
Matt Ward as Mark
Michal Suchánek as Nick

Special Features:
Full-Length Audio Commentary by Directors Colin and Greg Strause and Producer John Davis
Full-Length Audio Commentary by Creature Effects Designers/Creators Alec Gillis and Tom Woodruff, Jr.
Added Footage Marker
Featurettes – Development & Production, Post-Production, Creating the Aliens, Creating the Predalien, Building the Predator Homeworld
Still Galleries
Theatrical Trailers

Other Info:
Widescreen (2.40:1)
Dolby Digital 5.1 Surround Sound
Spanish and French Language
Spanish Subtitles
Running Time: 100 Minutes

The following is from the DVD description:

“Packed with adrenaline-pumping action and heart-stopping suspense, this spectacular sequel escalates the war between sci-fi’s scariest movie icons!

On Earth everyone can hear you scream, especially when a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters-and producing countless Alien offspring-with terrifying efficiency. When a lone Predator arrives to “clean up” the infestation, it’s an all-out battle to the death with no rules, no mercy, and hundreds of innocent people caught in the crossfire. As the creature carnage continues, a handful of human survivors attempt a daring escape, but the U.S. government may be hatching a deadly plan of its own…”

Alien vs. Predator: Requiem is unrated. The theatrical version was rated R for violence, gore and language.

The Movie:
I’m presuming that anybody reading this has heard of the creatures that appeared in four “Alien” movies and two “Predator” movies and can easily figure out the premise from the title or from the first “Alien vs. Predator” movie. “Requiem” starts right where that last movie finished off with a Predator spaceship carrying lots of alien “facehuggers” crashing on earth in the forest just outside a Colorado town. It’s not long before those alien breeders are looking for faces to hug and finding them in abundance. Once reports of the crashed ship gets back to the Predator homeworld, a Predator detective-slash-cleaner is sent to earth to stop the aliens from infesting another planet.

We’ll start with the good, because there isn’t much there, but most of the decent aspects of the film revolve around why anyone might shell out their good dollars to see another “Alien vs. Predator” movie and that’s the creatures. The sequel’s directors The Brothers Strause did their homework and kept all the things we’ve come to expect from an “Alien” or a “Predator” movie, including all the weapons and ways that the two creatures can kill. Even so, for some reason seeing people getting attacked and killed by various creature incarnations isn’t nearly as effective as it was back in the ’70s and ’80s because they’re using the same technology, which seems cheesy nowadays.

Movies like this rely heavily on production design and a lot of this just looks fake, despite having moved the action to the real world, which one assumes would be easier. For the most part, the film is so poorly lit that when the lone predator faces attacking aliens you can’t always tell exactly what is going on, because in battle, the creatures look far too similar. In fact, most of the time we see the creatures, they’re in the dark–maybe to hide the zippers on the creature suits–and lots of convenient plot devices are inserted to create the suitable dark environments like a town-wide blackout. On the other hand, we see more of the advanced Predator technology than seen in the earlier movies and we even see the creature’s homeworld, and while the Predator once again becomes more of the protagonist, the directors tend to overuse the “Predator-vision” in the first half of the movie.

While the creature action makes the film look expensive, corners were obviously cut with a poorly-written script and the equally poor quality of the acting. Sure, maybe I’m being naïve or I’m expecting too much, but some might remember that the first “Alien” movie directed by one Ridley Scott had a top-notch cast and is still considered a sci-fi horror classic, probably because it was so well-written and genuinely scary. Here, we’re given the obligatory character stereotypes and cliches found in a bad teen slasher flick, most of the flimsy subplot revolving around the pizza boy and the hot blonde he has a crush on, which is more like something you might find on “Smallville,” because everyone acts like they’re from Colorado via Los Angeles.

The human subplots and the characters are so weak that you don’t even care as some of the key people are picked off in the battle, and the non-creature scenes are so boring that you might find your mind wandering to some of the logistics of the two time-tested creatures. Like for instance, why are we still calling them “aliens” or “predators” when both species in the war are both aliens AND predators? Then there’s the matter of the aliens’ ridiculous way of procreating that always requires a host to breed, which makes you wonder how there’ll ever be enough aliens to keep things interesting since they pose very little challenge to the lone predator. This is answered with a repulsive scene where we find out how the larger non-Queen aliens can create more baby aliens. (Imagine the “baby zombie” scene in “Dawn of the Dead” as a reference.)

Although the dialogue is bad across the board, my favorite bad NRA-approved line was “”People are dying… we need guns!” and sure enough, by the last act, the entire town is packing heat and using guns as if gun training was part of the kids’ high school phys ed program. Predictably, the whole thing leads up to the most obvious cliché-filled ending possible involving the ubiquitous corrupt military turning their back on the town, but then leaving things open-ended for presumably another movie… or maybe it’s just further setting these two movies up for a prequel to the first “Alien” movie. Who knows, who cares? If the thought of Aliens fighting Predators sounded cool a few years ago, this movie shows that it’s decidedly less cool when you have to actually try to come up with a plot around the fighting scenes.

The Extras:
Here’s what you’ll find among the bonus features:

Two Full-Length Audio Commentaries – There are two commentaries – one by Directors Colin and Greg Strause and Producer John Davis, another by Creature Effects Designers/Creators Alec Gillis and Tom Woodruff, Jr.

Added Footage Marker – I have to admit, I saw very little difference between the theatrical version of this movie and this ‘unrated’ version. The main difference was a scene in a cemetery where a Predator kills a panicking local. Other than that, you’re going to need a ‘footage marker’ to spot any differences.

Featurettes – Development & Production, Post-Production, Creating the Aliens, Creating the Predalien, Building the Predator Homeworld – These are the highlights of the bonus features. I enjoyed seeing the creation of the alien costumes as well as how cheesy they look in the full light of day. It was also interesting to see how they created the Predator homeworld. How do you create a world for a classic movie monster? This shows the thought process behind it.

Rounding things out are Still Galleries and Theatrical Trailers (including red band trailers from online.)

The Bottom Line:
If you’re a fan of the “Aliens” or “Predator,” you might forgive this poorly conceptualized sequel’s many problems, but the sad fact is that this isn’t even as good as the first “Alien vs. Predator” and since that wasn’t exactly a masterpiece, that isn’t saying very much. By comparison, this is an uninventive, unexciting and ultimately ineffective follow-up, not even worthy of being stamped with the apologetic moniker of “popcorn flick.” We can only hope that the sub-title means that this moneymaking farce is finally over.