The first three days of the South by Southwest Film Festival hit like gangbusters with the world premieres of a number of movies as well as a couple of returning favorites from other festivals. On Day 1, I finally caught Shane Carruthâs Upstream Color, which premiered at Sundance as well as two premieres by returning SXSW filmmakers, Bryan Poyserâs The Bounceback and Joe Swanbergâs Drinking Buddies.
On Day 1, I also saw TriStar Picturesâ horror remake Evil Dead, which ComingSoon.netâs other reviewer Joshua Starnes already reviewed and felt it was lackluster and derivative. Personally, I loved it and felt that it really delivered on the gore and scares that Iâd expect from a movie called âEvil Dead.â Maybe itâs a bit extreme and gratuitous, definitely not for the squeamish, but if you like seeing 20-something kids being put through grueling hell, quite literally, then you should have lots of fun with it. Director Fede Alvarez is quite a find on the part of producers Sam Raimi, Rob Talpert and Bruce Campbell and heâs created a horror remake thatâs well above some of the other ones weâve seen in the past decade.
You can check out our reviews of Carruth, Poyser and Swanbergâs movies below.
Upstream Color
Written and directed by Shane Carruth
Starring Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins
Rating: 7.5/10
Itâs been nine years since Shane Carruthâs low budget time travel flick âPrimerâ won the Grand Jury prize at Sundance. Budgeted at just $7000, it was quite a surprise not only due to its budget but also because it created an incredibly complex time travel premise based in science which wasnât the easiest thing for mainstream moviegoers to understand but found a cult audience among genre fans.
Some may presume from âUpstream Colorâ that Carruth spent the nine years since his debut driving himself crazy trying to create a follow-up to that movie and maybe theyâd be right. Or maybe he was deliberately creating something so intricate and complex and original that it took that long for him to get this movie made.
Who knows what is going on as it begins? It has something to do with orchids that secrete a blue substance and grubs that can be taken like drugs, but we then quickly meet the filmâs main character Chrissy (Amy Seimetz), who is abducted and conditioned using one of the grubs as sheâs hypnotized by a man who makes her do all sorts of odd things like assembling paper chains and play checkers. We then see that thereâs some mysterious tapeworm growing inside of her which she tries to hack out with a knife to no avail before a man stretches that worm between her and a farm pig, and thatâs when it REALLY gets weird. Chrissy wakes up oblivious to the ordeal we watched her endure, stumped by the knife wounds and learning that all her money is missing but unable to remember any of it.
The pig farm we saw earlier is run by an odd guy who also seems to be involved with recording nature sounds and the experiment he conducted earlier seems to have created some sort of imprinting between Chrissy and that pig, and apparently she isnât the only test subject/victim. When she meets Carruthâs Jeff on the subway, they immediately bond and start hanging out as we watch their relationship unfold. The passage of time in the film is one of the many things left open for interpretation â we could watch their relationship unfolding over weeks or months or even years as we keep cutting back to the pig farmer/synthesist and what heâs doing which has a direct effect on Chrissy and Jeff until they eventually realize theyâve both endured a similar experience and try to figure out how to resolve things.
At its core, âUpstream Colorâ is a love story but itâs by no means conventional as the dreamlike quality of the film pulls you into a place where you may not know exactly whatâs going on, but you can always appreciate the artistry. Itâs a real auteur film with Carruth not only writing, directing and starring but also providing the accompanying score, a gorgeous bit of ambience that feels as abstract as the images. In that sense, itâs similar to Darren Aronofskyâs âThe Fountainâ and even âRequiem for a Dreamâ where the story is told in such an abstract and unconventional way. If âUpstream Colorâ has a budget even comparable to âPrimerâ itâs even more impressive for the achievement.
Seimetz really carries this movie and while itâs hard to compare her performance to other standard roles that require memorizing and reciting dialogue, her interaction with Carruthâs character is so fluid that you really believe the relationship and the secret experiment that has created the bond between them. The hypnotic way they deliver dialogue bodes comparisons to Mallick for sure, but that also helps to create the appropriate tone.
More than anything else, âUpstream Colorâ is cinema as art and itâs the type of art that can lead to lots of conversations, presumably intelligent philosophical ones, and for that alone, itâs a more than worthy follow-up to âPrimer.â Though to say itâs not going to be for everyone is a huge understatement.
The Bounceback
Directed by Brian Poyser; Written by David DeGrow Shotwell & Steven Walters, Bryan Poyser
Starring Michael Stahl-David, Ashley Bell, Zach Cregger, Sara Paxton, Addison Timlin, Justin Arnold, Marshall Allman
Rating: 7.5/10
Bryan Poyserâs return to South by Southwest may feel like somewhat of a ringer since the local filmmaker actually set his new movie in his hometown, using many downtown landmarks like the Ritz Alamo as part of the story. His previous movie, âLovers of Hateâ starring Alex Karpovsky from âGirls,â was set in Park City, Utah, which may have helped get that into Sundance, but the follow-up also involves stalking even though unlike âLovers,â it didnât originate from Poyserâs own screenplay as he writes with others.
We meet Jeff and Cathy at a time when theyâve been split for six months and living on opposite coasts when Stan learns that Cathy is traveling down to Austin to visit their mutual friends Jeff and Kara (Zach Cregger, Sara Paxton) who have split up themselves. As luck would have it, both Cathy and Stan arrive at the Austin airport at the same time forcing their friends to try to keep them apart.
A lot of the movie revolves the pastime of competitive air sex which Jeff and his douchebag roommates are obsessed with as Jeff tries to get to the finales. Meanwhile, Kara convinces Cathy to go out and meet some guys and Cathy scores by meeting a rugged vet named Tim while her friend âtakes one for the teamâ with his less than desirable brother. The movie is cute and funny, often raunchy but sometimes romantic, but mixing all those things into a single comedy cocktail can lead to an erratic film.
Fortunately, Poyser has a great cast and he finds a lot of interesting ways to bring them together in different configurations so itâs not just the same two or three people for the entire movie. Sara Paxton is absolutely hilarious as Kathyâs foul-mouthed friend, her punky attitude matched with colored extensions and the type of language more expected from Susie Essman than the petite blonde cutie. Zach Cregger from âThe Whitest Kids UâKnowâ also offers some of the funniest moments even if heâs the type of character weâve seen in many indie movies from âThe Puffy Chairâ to Drake Doremusâ âDouchebag.â
Iâm still not completely sold on Ashley Bell (of âThe Last Exorcismâ fame), because she always seems older than the roles sheâs playing and far more mature to ever be with Michael Stahl-David â which may be the point. She plays things so seriously compared to everyone else in the movie that it makes it harder to enjoy her scenes that tend to be far more poignant than Stanâs. He also meets someone in Austin, a talented singer played by Addison Timlin, who he sexts with in another funny scene, but for the most part heâs playing the straight man to Cregger and the others.
Even with its share of tonal shifts, this is a fun follow-up to âLovers of Hateâ as Poyser shows he can work with a bigger budget and more ideas. I wouldnât be remotely shocked to see Poyser make the jump to studio comedies with the incredible growth as a filmmaker he shows off in âThe Bounceback.â
Drinking Buddies
Written and directed by Joe Swanberg
Starring Olivia Wilde, Ron Livingston, Jake M. Johnson, Anna Kendrick, Ti West
Rating: 8/10
To many, âDrinking Buddiesâ will be seen as Swanbergâs coming out movie because for the first time, heâs using known and established actors used to working from fully developed scripts into his world of improvisational storytelling. Comparisons to the Duplass Brothersâ âCyrusâ wouldnât be too far off-base, because like his former fellow âMumblecoreâ collaborators, itâs a fairly giant leap ahead to be able to bring familiar faces into his style of filmmaking.
Luke and Kate (Jake Johnson, Olivia Wilde) work at a brewery in Chicago, and being the only woman working at the plant, Kateâs gotten used to being one of the guys, often going out drinking with Luke and the guys. The closest of friends, theyâre making the most out of the often difficult nature of being friends with someone you find attractive on many levels. Kate clearly has feelings for Luke and vice versa but their main hurdle is that they both have significant others â Luke with the far more practical schoolteacher Jill (Anna Kendrick) and Kate with the older Chris, played by Ron Livingston in his continuing series of playing d*ck boyfriends.
Itâs pretty obvious the two couples are mismatched and when the four of them take a weekend trip to a beach house, Chris and Jill go on a hike together and end up kissing awkwardly, which becomes the catalyst for the rest of the film in how they handle the indiscretion. Chris reacts by breaking up with Kate, giving her the opportunity to explore her feelings for Luke. But before that can happen sheâs hit upon by their slimy co-worker Dave, played byâwho else?âSwanbergâs long-time pal Ti West.
As a self-admitted Olivia Wilde fan, itâs hard to be impartial sometimes, but the actress has really been pushing herself in recent years, both in terms of comedy and drama (check out last yearâs âButterâ and âPeople Like Usâ if you donât believe me). Having to hold your own against such an experienced improviser as Jake Johnson and trying to keep up with his quips, because he is always on his toes in terms of keeping things light and funny. For that matter, following in the footsteps of Swanbergâs seeming muse Greta Gerwig is not something weâd want to put on any actress, but this really is a showcase for Wilde to show off new things that we havenât seen from her in the past, things like vulnerability and rejection. Johnson and Wildeâs scenes together really drive the film and as fun as their scenes are together, the problems it may cause for them to hook up constantly weighs over all their interactions.
The always terrific Anna Kendrick also has some nice moments with the other actors and the film even includes an uncredited role for Wildeâs real life beau Jason Sudeikis, as the guy who runs the brewery.
That said, there really isnât much of a story and even less of a resolution as the film starts to get quite dark and dramatic and Luke and Kateâs friendship starts falling apart. We wonât tell you if they eventually get together because thatâs a large part of what drives the movie and what will keep you so invested even when it doesnât seem like anything is happening to move the story forward.
Despite using the cinematographer from âBeasts of the Southern Wild,â Swanberg maintains a no-frills approach to shooting the patter-heavy scenes between the various character interactions, which may be the one thing that keeps the movie reaching the mainstream audiences that might appreciate it.
More than anything else, âDrinking Buddiesâ is a study of relationships between men and women and how attraction and chemistry can get in the way of keeping a friendship platonic. Sure, itâs been done before in much bigger studio movies but never quite like this.
Weâll have more reviews in the next couple days as SXSW continues until March 16.