Mark of the Devil & Other Armstrong-Penned Scripts to Be Published Uncut


Mark of the DevilAs part of his The Correct Perspective campaign for screen writers to be entitled to the same rights and appraisal accorded to stage writers, genre movie legend Michael Armstrong will make history by being the first screen writer to publish his entire set of filmed and unfilmed screen plays in their original uncut texts before front office changes and including all missing scenes and dialogue, thereby enabling readers to experience the films exactly as he intended them for an audience.

Published in the same font and precise page layout of Armstrong’s unique writing style, each title will be accompanied by a detailed writing history as to its sources and creative problems, front office cuts, changes and alterations, casting choices, production history and an outline of the circumstances that led to certain screen plays ending up on a screen, others being shelved, and many never actually having even been read by anyone in the industry.

Amongst them will be the genre classics: Mark Of The Devil with its missing end scene; his original 1960 screen play The Dark which he wrote at the age of fifteen and would later direct with imposed front office alterations under the title The Haunted House Of Horror in 1968; the portfolio trilogy Screamtime with all its episodes uncut and with his original unfilmed written links; The Black Panther with its numerous missing scenes; his original thirty minute screenplay of The Image, the David Bowie short he directed; Eskimo Nell with detailed cuts and changes that took place during production plus his original draft under the working title, The Movie Makers; the little seen comic documentary It Could Happen To You and the missing short he directed, The Hunt, together with the ill-fated The Enchanted Orchestra, and Sex Pistols film, A Star Is Dead, and many more; famous, infamous and unknown titles.

The first exclusive A4 hardback editions of the forty plus titles will have a strictly limited print run, black cloth cover with gold foil embossing and sewn bound pages, building over the coming months into a unique collectors’ library set of Armstrong’s complete written works for the cinema, with each copy signed by Armstrong himself.

Selected titles will also contain hitherto unseen stills, off-set photographs, and some of Armstrong’s own full colour original art work, storyboards, set and costume designs.

The screen plays will be published by London Repertory Company to whom Armstrong has donated all royalties, with proceeds going towards their efforts to regenerate traditional repertory theatre and allied apprenticeship training in the UK.??

You can get a look at what you’re buying, exactly, via Armstrong’s site.