The Weekend Warrior

Your Weekly Guide to New Movies for March 9, 2007
By Edward Douglas -

Greetings and welcome back to the Weekend Warrior, your weekly guide to the weekend's new movies. Tune in every Tuesday for the latest look at the upcoming weekend, and then check back on Friday for final projections based on actual theatre counts.

(If you have anything to say about anything written in this column, feedback and Email is always welcome, and almost always responded to.)


THE WEEKEND PREDICTIONS: (final update 3.8.07)

TW

LW

Title

Weekend (in millions)

Change

# Of Theaters

Average

Week

1

New

300

$39.5*

N/A

3,400*

$12,730

1

2

1

Wild Hogs

$22.6

-43%

3,300

$6,857

2

3

2

Zodiac

$7.5

-42%

2,380

$3,153

2

4

3

Ghost Rider

$6.0

-47%

3,200

$1,875

4

5

4

Bridge to Terabitha

$5.7

-35%

3,000

$1,776

4

6

7

Norbit

$3.9

-40%

2,550

$1,557

5

7

5

The Number 23

$3.2

-50%

2,300

$1,286

3

8

9

Music and Lyrics

$3.0

-35%

2,800

$1,316

4

9

6

Black Snake Moan

$2.2

-47%

1,252

$1,756

2

10

New

The Ultimate Gift

$2.0

N/A

797

$2,509

1

Est. Weekend Total
$95.60

Est. Avg. Drop-Off
-43%

Est. Average PTA
$3,481


You know something's up when a movie opens on its own and no other major studio wants to try to compete against it, even with a bit of counter-programming, in such a crowded movie season. That's a grand place to be for Warner Bros. and director Zack Snyder as they finally release their movie based on Frank Miller's historic battle epic 300, starring Gerard Butler and Lena Headey. The action-driven film is going to be the first choice among guys from 15 to 50 this weekend, particularly those who dig movies like Braveheart, Gladiator and Troy, as well as the comic fans who flocked to Sin City, which Miller co-directed by Robert Rodriguez. With an impressive marketing campaign, 300 has become a bit of an event movie like the kind usually released in the summer, and its R-rating and March release may be the only things keeping it from being as big as other historic war epics. Still, it's shaping up to crack the Top 3 for a March opening much like Wild Hogs did last week, while the Disney road comedy will drop down to second place, holding well among women and audiences not as interested in the violence in 300. (*Update: My source which told me 300 would get 3,400 theatres was wrong, but with many IMAX screenings already sold out and demand building towards the weekend, we'll up the prediction a hair, fully realizing that Friday will probably be the movie's biggest day. One probably shouldn't be too surprised if this breaks $40 million based on the amount of hype.)

The only attempt at counter-programming comes from Fox Faith, who releases the inspirational film The Ultimate Gift nationwide this weekend with very little fanfare, hoping that churchgoing audiences who've made One Night with the King, End of the Spear and the recent Amazing Grace such successes will go out to see this one, despite it not having nearly as much religious relevance. It's probably a lost cause without the advertising to get other people into theatres, though it might sneak into the bottom of the Top 10, its main competition being the aforementioned Amazing Grace which continues to bring in audiences based on word-of-mouth.( Incidentally, New Line's The Last Mimzy will also sneak preview in roughly 800 theatres on Saturday evening.)


Although last year saw three movies opening over $15 million, the Top 10 still ended up under $90 million, so it's likely to be surpassed this weekend despite there only being one new movie in ultra-wide release. The big surprise last year was the romantic comedy Failure to Launch beating Tim Allen's The Shaggy Dog with $24.4 million to the latter's $16.3 million. Third place was taken by the remake of Wes Craven's The Hills Have Eyes with $15.7 million, which has a sequel coming out later this month.



THE CHOSEN ONE:

While my conscience tells me to pick the Rwandan drama Beyond the Gates or the informative doc Maxed Out, both very important and worthy movies (see below), I gotta go with what I consider one of the best movies of the year so far and that would be…

THE HOST (Magnolia Pictures)
Starring Song Kang-ho, Byun Hie-bong, Park Hae-il, Bae Doo-na, Ah-sung Ko
Directed by Bong Joon-ho (Memories of Murder); Written by Bong Joon-ho, Hah Joon-won, Baek Chul-hyun
Genre: Horror, Thriller, Monster
Rated R
Tagline: "It is lurking behind you."
Story: The Park family of South Korea is nearly devastated when a carnivorous creature comes out of the Han River and takes their youngest girl, presumably to her death. When they find out she's still alive, they try to find her, even as the government puts the entire city under quarantine due to a virus the creature is spreading that kills anyone who comes into contact with it.
INTERVIEW (with Bong Joon-ho)
REVIEW

Man, I love me a good monster movie, having spent most of my life thinking I'd seen every decent monster movie out there (and let's face it, there aren't many), so color me surprised when this movie comes out of Korea that took what originated at Japan's Toho Studios and created something so far beyond what has ever been done with the genre before. Part of why the movie works so well is due to the amazing work to make the creature in Bong Joon-ho's The Host so realistic, though it's just as much about the human characters, a quirky family who face tragedy when the youngest girl in the family is taken by the creature, leading them on a desperate attempt to find out if she's still alive while dealing with incompetent scientists and government workers who hinder them every step of the way.

Now, I understand that Korean films aren't for everyone, 'cause let's face it, they're kind of strange, but The Host may finally be the movie that crosses over to American audiences with its mix of action, scares, laughs and real emotion that makes it stand-up to any American-made blockbuster. Sure, some might find the creature or the family odd, but the storytelling and filmmaking is on a par with the best work from Peter Jackson or Sam Raimi, so hopefully, this will find an audience beyond the normal Korean genre films. (But let's face it, Asian import/bootleg DVDs are a big market, so many of them may have already seen it.) Hopefully those who've seen it will recommend others go see it when it opens in select cities this weekend and it will do well enough to expand into more places later, despite facing the monstrous…


300 (Warner Bros.)
Starring Gerard Butler, Lena Headey, David Wenham, Dominic West, Vincent Regan, Rodrigo Santoro
Directed by Zack Snyder (Dawn of the Dead); Written by Zack Snyder, Kurt Johnstad, Michael Gordon
Genre: Action, Drama, Thriller, History, War
Rated R
Tagline: "Prepare for Glory!"
Plot Summary: King Leonidas (Gerard Butler) leads 299 of his greatest warriors to the Hot Gates of Thermopylae to fend off the immense approaching army of Persian King Xerxes (Rodrigo Santoro), while his wife Queen Gorgo (Lena Headey) remains at home to deal with the corrupt Spartan council.
Of Note:
Zack Snyder, the director of Dawn of the Dead, takes on Frank Miller's comic series based on the Battle of Thermopylae.
REVIEW

Analysis:
Just a few weeks after Ghost Rider broke box office records over Presidents' Day weekend, here's a very different comic-derived beast, one not based on a popular superhero character but on a highly stylized graphic epic by one of the masters of the craft, Frank Miller. It's the brainchild of Dawn of the Director Zack Snyder, who has spent the last two years trying to get Miller's vision onto screen as faithfully as possible using green screen and computer processing to create the unique look of Frank Miller and colorist Lynn Varley's artwork. In doing so, Snyder is following in the mighty footsteps of Robert Rodriguez who co-directed Miller's adaptation of his crime comic Sin City, which made nearly $74 million in theatres two years ago, but was also based on one of Miller's more popular works. Then again, it's based on a historic battle that many war fans are familiar with either from books or movies like The 300 Spartans, which creates another level of interest in the movie beyond comic readers.

Whether it's a smart idea to make a movie based on a Greek battle is one that'll be determined next Monday, but 300 has lofty footsteps to fill by treading the same genre as movies like Gladiator and Braveheart, both commercial hits that went on to win many awards. Then you have movies like Wolfgang Peterson's Troy, which wasn't as critically well-received but a big summer blockbuster nonetheless and lesser fare like Jerry Bruckheimer's King Arthur and Oliver Stone's Alexander neither which did as well as expected, potentially hurting studio interest in the genre. (300's success will be eyed very closely by Paramount Pictures, who'll be releasing Robert Zemeckis' animated Beowulf later this year.) Fortunately, Snyder is making a very different film, not going for realism as much as going for a live action graphic novel, very stylish and different, like Miller's art.

Instead of going for big name stars like Bruce Willis or Jessica Alba, who both added some weight to Sin City, Snyder went for a solid cast of dramatic actors that could make the characters convincing, the King of Sparta being played by Scotland's own Gerard Butler. After his debut in Mrs. Brown and playing Dracula in Dracula 2000, Butler has taken on a variety of roles with his biggest movies to date being Lara Croft Tomb Raider: The Cradle of Life (wow, that's pretty sad when you think about it) and playing the title role in Andrew Lloyd Webber's The Phantom of the Opera, the latter making over $50 million, but not quite matching the success of the Broadway musical on which it was based. The odd thing is that Butler seems to have built up a fanbase of teen girls due to the latter and the older ones might actually agree to be dragged to the movie by their guys in order to ogle Butler wearing next to nothing. (In an ironic twist, Butler also appeared in a lower-budget Icelandic production of Beowulf and Grendel.)

His queen is played by Lena Headey, who hasn't had much more success, her biggest movie Stateside being Terry Gilliam's The Brothers Grimm opposite Matt Damon and Heath Ledger, released the same day as the dog The Cave, followed by the lesbian rom-com Imagine Me and You. The role of Queen Gorgo certainly should help elevate her status before she moves onto playing Sarah Connor in an upcoming Terminator television show. A key advisor to Leonidas is played by David Wenham, better known as Faramir in the last two Lord of the Rings, followed by roles in Van Helsing and the Aussie thriller The Proposition. 300's two main antagonists are played by Brazilian superstar Rodrigo Santoro, who has a role on the ABC drama "Lost," and versatile actor Dominic West (The Forgotten). Still, none of these actors have much of a draw at the box office to bring people into theatres, which probably won't matter, since interest in 300 will be more due to its premise, its action and the stylish visuals.

The R-rating might be slightly worrisome to those who realize that the film's main appeal will be to teen males, but that didn't hurt movies like The Terminator, Die Hard, The Matrix or other similarly cool action movies in their day and without too many strong movies in theatres--(Ghost Rider? Puh-lease)--this weekend is wide open for Snyder's battle epic to bring in a large audience, even if it's going to appeal mainly to guys. One can except that testosterone seekers will be going out to see this in droves--expect every single high school football team in the country to go see the movie to build teamwork through a bit of Spartan camaraderie and battle strategy. So you have them, plus war fans and of course, Frank Miller's many fans will go to see if Snyder delivered on the promise of the original comics. Of course, the movie's stylish look and minimal color scheme might throw some moviegoers off even if it's something that fans of Miller's artwork will probably appreciate more than others. In that sense, early footage of 300 was shown at the San Diego Comic-Con last year to an overwhelmingly positive response, but The film was made in a similar way as Sky Captain and the World of Tomorrow, which ended up looking too weird for most audiences despite its similar reception at Comic-Con. A
pparently, the film has been tracking very well among a wide range of audiences, not just guys or comic fans.

Like many of Warner Bros.' bigger movies, this is getting an IMAX release which to many will be the chosen way of seeing a movie this big, and that certainly will help with the opening weekend, even if something about the movie makes one think it would have fared even better if released during the summer. With Mark Wahlberg's Shooter being moved back a week, there also isn't very much competition next weekend to keep 300 from being on top for two weeks in a row either.

Comparisons:

Title

Release Date

Theater Count

Previous Box Office (in millions)

Weekend Box Office (in millions)

Average

Total Box Office

Dawn of the Dead

3/19/04

2,745

$26.72

$9,735

$58.89

Sin City

4/1/05

3,230

$29.12

$9,016

$74.10

V For Vendetta

3/17/06

3,365

$25.64

$7,620

$70.51

The Matrix

4/2/99

2,849

$9.57

$27.78

$9,751

$171.38

Alexander

11/26/04

2,445

$8.15

$13.69

$5,598

$34.29

Troy

5/14/04

3,411

$46.87

$13,739

$133.23

Gladiator

5/5/00

2,938

$34.82

$11,852

$186.61

Braveheart

5/26/95

2,035

$2.64

$12.91

$6,344

$75.59

Andrew Lloyd Webber's The Phantom of the Opera

12/24/04

622

$2.32

$4.00

$6,434

$49.44

Timeline

11/28/03

2,787

$3.98

$8.44

$3,028

$19.44

Lara Croft Tomb Raider: The Cradle of Life

7/25/03

3,222

$21.78

$6,761

$65.65

Reign of Fire

7/12/02

2,629

$15.63

$5,946

$43.06

The Cave

8/26/05

2,195

$6.15

$2,801

$14.89

The Brothers Grimm

8/26/05

3,087

$15.09

$4,889

$37.74


Why I Should See It: Frank Miller's astounding historic epic is brought to life in an inventive way.
Why Not: Didn't Alexander already put the last nail in the coffin of this genre?
Projections:
$37 to 40 million opening weekend and a little over $100 million total.

THE ULTIMATE GIFT (Fox Faith/The Bigger Picture)
Starring Drew Fuller, James Garner, Ali Hillis, Abigail Breslin, Lee Meriwether, Brian Dennehy, Bill Cobbs, Mircea Monroe, Donna Cherry, D. David Morin, Rose Bianco
Directed by Michael O. Sajbel (One Night with the King, The Ride, Reluctant Prophet), Written by Cheryl McCay (Wanderer, Len & Lys)
Genre: Comedy, Drama
Rated PG
Tagline: "Share the Gift. Change the World."
Plot Summary: Jason Stevens (Drew Fuller) is a selfish, spoiled young man forced to perform a series of good deeds in order to get a large inheritance from his late grandfather (James Garner), one of his jobs being to find himself a true friend, which he does when he meets a young girl with leukemia (Abigail Breslin).
Of Note: The director of One Night with the King treads more spiritual ground with a star-studded cast.
Mini-Review:
This competently directed and surprisingly slick film seems to serve very little purpose beyond the fact that it's based on a book that a couple million people bought and read, and it's inspirational message about a selfish guy who learns to change his ways is so derivative that it's surprising how it fails to find its tone despite having so many precursors. The movie's biggest problem is that Drew Fuller just isn't a strong enough actor to pull off the drama or humor inherent in the story, being another pretty boy in the Paul Walker vein who never really wins over the audience's sympathy. Even throwing a few more talented actors into the mix--James Garner only appears on video tape and Dennehy has a couple brief scenes--doesn't help the movie rise above the quality of a TV movie. To make matters worse, Abigail Breslin becomes the youngest actor to follow an Oscar nomination with a dog of a movie, playing an exceedingly annoying girl that's likely to aggravate even the biggest fan of "Little Miss Sunshine." After trying way too hard and failing to be funny or whimsical, things get slightly better when it turns into an action-thriller as Jason goes down to South America to investigate his father's mysterious death, but the movie's so erratic and all over the place in tone, you have to wonder why anyone would be interested in this ridiculously contrived and sappy story. Rating: 4/10

Analysis:
Apparently, Jim Stovall's novel "The Ultimate Gift" has sold 3 million copies worldwide despite the lack of a major publisher, which apparently makes it worthy of being turned into a movie distributed by Fox Faith, who've been focusing their efforts on finding audiences for inspirational and spiritually based movies of various budgets. This one being on the lower end, it stars former male model Drew Fuller, but since he's not a big name star, they're focusing more on the likes of James Garner and Brian Dennehy, who have miniscule roles in the movie. Then again, the actor who'll get the most attention for the movie is probably Abigail Breslin, making her first movie appearance since being nominated for an Oscar for Little Miss Sunshine. (Yes, it's just a few weeks later, and she's already starring in a lower budget stinker that's relying on her presence to try to bring in audiences.)

Fox Faith had some success last October with One Night with the King, also directed by Michael Sajbel, but that movie had been on the burner for years ready to go, while this is a different movie, one with far less overt religious undertones. Fox Faith's last release, The Last Sin Eater, opened last month in 429 theatres, making only $246 thousand before losing 300 theatres and dropping 90% the following week. This may show that these spiritual films need something more in order to be able to bring in big audiences, but it's gotten to the point where underestimating these regionally-driven movies is a fool's folly. This become pretty clear when Michael Apted's Amazing Grace followed in the shoes of other successful spiritual movies like One Night and last year's End of the Spear. While The Ultimate Gift is getting a similarly wide release, being set in the modern day might make it a harder sell, and it certainly doesn't have nearly as strong a marketing campaign or advertising dollars as Amazing Grace did, even if the trailer apparently was shown in front of that surprise hit.

The one good thing going for it is that it has a PG rating and its family-friendliness might make it a suitable option for parents with young kids who are already over Bridge to Terabithia but aren't sadistic enough to take their kids to see 300.

Comparisons: One Night with the King
, Amazing Grace, The Last Sin Eater, End of the Spear
Why I Should See It:
You're a fan of the book and want to see something slightly tamer than 300 this weekend.
Why Not: Bah. What kind of ultimate gift doesn't involve bodies of Persians mounted on spikes?
Projections:
$1.5 to 2.5 million opening and no more than $4 million total.

THE NAMESAKE (Fox Searchlight)
Starring Kal Penn, Tabu, Irrfan Khan, Jacinda Barrett, Zuleikha Robinson, Brooke Smith, Sahira Nair
Directed by Mira Nair (Vanity Fair, Mississippi Masala, Monsoon Wedding, Salaam Bombay!, The Perez Family); Written by Sooni Taraporevala (Mississippi Masal, Salaam Bombay!)
Genre: Drama, Romance
Rated R
Tagline: "Two Worlds. One Journey."
Plot Summary: Gogol Ganguli (Kal Penn) is an angry young man trying to break away from the restrictive traditions of his Indian immigrant parents, but when tragedy strikes, he finds himself returning to those roots to discover why his father gave him such an unconventional name.
Of Note:
Mira Nair returns with her first film since 2004's Vanity Fair with Reese Witherspoon, adapting Jhumpa Lahiri's novel which returns the director to more familiar territory.
Why I Should See It:
If you're a fan of the novel or Mira Nair's previous work, you're likely to dig this.
Why Not: Because being an Indo-American woman really is the only excuse for seeing this movie instead of 300 this weekend!
INTERVIEW (with Mira Nair)
REVIEW (Coming Soon!)


OTHER LIMITED RELEASES:

EXTERMINATING ANGELS (IFC First Take) -- Opening on Wednesday at the IFC Center (and on IFC First Take PPV) is Jean-Claude Brisseau's controversial erotic thriller about an art film director (Frederic van den Driessche) looking to make a movie about female sexuality, which involves women telling their deepest secrets and "enjoying themselves" on camera. Mini-Review: Falling somewhere between a Joe Esterhaus film and a Robert Palmer video, Brisseau's latest controversy offers a bit more depth than either with an intriguing premise right out of Takashi Miike's Audition, as an art film director with questionable intent skips the casting couch altogether by having his potential actresses pleasure themselves on a hotel room bed. What actually keeps the film from deteriorating into a lurid male power fantasy, particularly when his three actresses have a graphic lesbian threesome, is that there are some interesting ideas about the relationship between directors and actresses and how one might use the other's weaknesses to get what they want. Ultimately, the director gets what some might think he has coming to him, but it might leave you wondering if he really deserves any of it. Regardless, what keeps the movie from working is the strange spirits that hover around the characters throughout the movie without very much explanation. While there's more than enough sex and nudity to "entertain" male viewers--"Masturbating Angels" may have been a more appropriate title--by the end, you're likely to be left wondering, "What was the point of what I just watched?" Rating: 6/10

BELIEVE IN ME (IFC Films) -- Opening in select cities in the Midwest is Robert Collector's adaptation of Harold Keith's novel "Brief Garland" about a coach who moves to Oklahoma and winds up coaching the girls' basketball team, giving them the support that women players never received before.

BEYOND THE GATES (IFC Films) -- This African drama directed by Michael Caton-Jones stars John Hurt and Hugh Dancy (Blood and Chocolate) as a minister and a teacher at Ecole Technique Officielle, a secondary school in Rwanda, who get caught up in the violent racial genocide that sweeps the country during 1994, when 2,500 citizens take refuge at the school. It opens at the IFC Center on Friday. Mini-Review: While this drama very overtly treads similar territory as Hotel Rwanda, it also successfully fills-in the blanks with a similar tale of good people seeing the growing problem in the country and refusing to leave when given a chance, instead choosing to stay behind and help the people. In some ways, the film is much more violent and harder to watch than Hotel Rwanda but in the same sense, it's also far more effective. Regardless of whether you feel you've seen it before, you have to admire the amazing performance by Hurt, while Dancy is also quite good, plus there's an added authenticity brought to this well-made film by having survivors of the genocide working on all aspects of the production. Though it gets a bit heavy at the end, the film's strong visuals and expansive story--focusing on the people rather than merely on one man--ultimately makes it a fine and welcome addition to the recent wave of African dramas. Rating: 8/10

MAXED OUT
(Magnolia Pictures) -- Subtitled "Hard Times, Easy Credit and the Era of Predatory Lenders,"James D. Scurlock's disturbing documentary takes a look at the shocking state of debt in our country, both among individuals and our country as a whole, and how a disaster like Hurricane Katrina reveals that the U.S. isn't the world's wealthiest nation, but the one with the most debt. It opens at select Landmark Theatres and New York's Cinema Village on Friday. (There's also an accompanying book released by Scribner available on Tuesday.) Mini-Review: If you've ever had problems with credit card debt or bankruptcy, this insightful doc will either be the most enlightening or most depressing one you see this year. Fortunately, it offers solid facts and information to make it a worthy doc in the vein of The Corporation or Enron: The Smartest Guys in the Room by revealing how banks and debt collectors prey on the young, weak, poor and stupid, making them indebted for life via their credit cards. It's pretty ugly how sleazy the credit card and debt business has gotten in our country, mainly due to our government's support of the banks. (Yup, it's also the first liberal anti-Bush film of the year…huzzah!) Amidst all the facts and information, there's a few truly heartbreaking stories of those who lost everything, including family, to credit card debt, and stand-up bits by Louis K don't do much to improve the film's less than cheery nature. Although the downer tone is sometimes a bit much and the grainy digital production values get distracting, the interviews are brilliantly edited together in a way that gives a very clear overview of the problems with the current credit card system. Sadly, the people who really need to see this movie are also the ones likely to spend any disposable income on escapist movies that will do nothing to improve their lives or knowledge base as much as this film tries to do. Rating: 8.5/10


Next week, Sandra Bullock has a Premonition, Chris Rock makes the indecisive statement I Think I Love My Wife and Saw creators James Wan and Leigh Whannell return with the horror film Dead Silence.

Copyright 2007 Edward Douglas


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