Feral. Mangy. Hungry and cursed. No wonder why the werewolf is such a irritable beast. He (or she) has had a hell of an on-screen romp full of ups and downs over the last century. More often than not, we can cite the successful werewolf films by heart; the go-to titles being, arguably, The Wolf Man, An American Werewolf in London and The Howling – that last title spawning a series of abysmal sequels that seemingly set out to destroy the werewolf sub-genre with an unwavering obsession equal to that of Calvin Lockheart’s in The Beast Must Die. Nevertheless, the werewolf has endured.