La Notte (Criterion Collection)
I just posted my review
of Criterion’s new release of Michelangelo Antonioni
‘s La Notte
, and as a fan of his work I can tell you this may be my favorite film of his. Perhaps that’s only because it’s the first of his movies I’ve watched a second time and not having seen L’Eclisse
or The Passenger
there are still likely candidates to rise in the ranks.
I would like to say this is his most accessible film I’ve seen, even though it comes with an extraordinarily slow pace. I’m sure others would argue Blow-Up may be more accessible, but I almost suspect the more thrilling aspects of that feature may be lost on a crowd more interested in CG explosions and men in tights. Either way, this story of a married couple and their deteriorating relationship is one that gets better and better as the minutes tick by… I have a lot more to say in my review, which you can read right here.
Eh, another lesser Pixar, but I’m sure the kids will find some enjoyment even if most adults don’t. You can read my theatrical review right here
Someone is quoted on the cover of Byzantium
calling it the best vampire movie since Let the Right One In
. Considering that was only five years ago and I’d argue Let the Right One In
is a massively overrated movie I’m not sure what to make of that statement. In fact, I’d argue the Fright Night
remake and even Underworld: Awakening
were more enjoyable than Let the Right One In
and once Only Lovers Left Alive
hits theaters (read my review here
) it blows all of ’em out of the water.
The booby prize of the week goes to R.I.P.D.
, which, amazingly, is the second best selling title among new releases this week at Amazon behind Monsters University
. Why does Hollywood keep making crap? Because people keep buying it. Even a film such as this, the theatrical release only served as a giant commercial for the DVD and Blu-ray release and now, here we are, the consumers are eating it up. Num, num, num.