Top Ten Best Movies Midway Through 2008

Figuring out the ten worst films over the course of the first six months of 2008 was difficult because there were so many. Unfortunately, figuring out the best films of the first six months wasn’t nearly as difficult as it turns out there was really only one film left on the outside along with one major exception.

First off, Cloverfield didn’t make the list and for what I believe are obvious reasons. As much as Cloverfield is a fun movie to watch the first time you see it there isn’t much to enjoy after that. The first 18 minutes or so are worthless set-up pieces that you never want to watch again and the last 60 minutes of the film are still a bit fun, but the mystery behind the film has already been revealed and the unexpected deaths are no longer unexpected and you begin to realize the film didn’t give you a wild ride the first time you saw it because it is some kind of masterpiece as much as it was masterful marketing that was a lot of fun while it lasted. Therefore, it falls in at #11 and this may be one of the last times I ever mention it.

As for my one exception, that would be the gut-wrenching 4 Months, 3 Weeks and 2 Days. Had I actually placed this movie on this list it would end up at #1 without a doubt. 4 Months is quite possibly the best “made” movie I have ever seen. This film is an example of how to manipulate the audience and guide them to think exactly how you want them to despite their desire to look away or think otherwise. Writer/director Cristian Mungiu holds shots dangerously long as he tells a story that is almost impossible to watch and I would never recommend anyone watch it for reasons of entertainment. Watching this movie is an exercise in seeing great filmmaking, but I don’t see how anyone could possibly enjoy it. It is for these reasons that I can’t include it on this list. It will remain in my brain as one of the greatest films ever made, but not one I would ever want to revisit.

Now, to the top ten from beginning of January to the end of June. You will notice that even though I have already seen The Dark Knight I am going by release date and will not include it on this list, just as I will not include Choke. Of all these films I imagine the top 3 or 4 remaining on my year-end top ten, but that remains to be seen. So, without further delay, let’s dig in…

Word is, the kill count in this film totals 236 dead bodies. This film is one of the most brutal pieces of cinema I have seen in a long time and it wasn’t until I watched it again on Blu-ray that I was actually able to catch ever bloody gob of goo that spouted out of each decimated cadaver. It may seem morbid, but I loved the hell out of it, and as much as I hated watching Mark Wahlberg run from wind in The Happening, I loved watching Sly run from a bomb in Rambo.

This one was surprising to me. After seeing the trailer I had pretty much written this one off as it appeared it gave the entire film away and would leave nothing to the experience of watching it. While that is pretty much true, the film is still quite fun to watch. After all, who doesn’t like a good heist flick?

I am sure fanboys will disagree with me that Iron Man is actually not as good as The Incredible Hulk, but considering I have it just below the other I am sure I won’t get too much guff. While I think the first half of Iron Man is utterly fantastic, this film suffers from major final act problems that are too many to mention here. Simply put, turning what could have been a kick ass war on terrorism into a monster movie wasn’t what the first hour was building toward.

I believe this may be the first time ever that I actually enjoyed watching an all out CGI vs. CGI monster mash battle. The climax in The Incredible Hulk was a fun and extremely loud brawl that gave me plenty of enjoyment.

One of two fantastic animated films in the first half of 2008. The great thing about both animated features this year is that neither one of them relies on silly pop culture references and actually have a fun story to tell. So many animated films today think name dropping pop culture icons and mimicking them is an easy out for a source of comedy, but, as Shrek has proven, it’s an old tactic that many audiences are wise to.

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