Shocking Sonnets: Check Out These JAWS Inspired Poems!

SHOCK writer and columnist Nigel Parkin is also an accomplished poet. Here, Parkin lays a slew of sonnets on us, based on key moments from Steven Spielberg’s iconic1975 horror adventure JAWS.

Enjoy…

Universal Blackness

We open with the Universal Earth

In space, suspended in blackness, between

Stars pulsing and singing with deep sea sounds.

The alien world of the ocean, before

The Abyss of Cameron a suggestion

That what lies in that dark water is a

Thing From Another World. Then fade to black.

This is inner space now, with heaving bass

Stirring something somewhere deep within. Fear.

Cellos chop and slice as we surge forwards,

Seeing through the beast’s eyes, hunting, rising,

Mixing fear with desire. Then faces. Fire.

And at the end of the party, a girl

Holds a man’s gaze. Between them, the sea. Black.

True Terror

The girl. The sea. We know the scene.

The gentle tolling of the bell as she

Swims further into darkness and hovers,

Treading water, sweeping her heavy hair

Away from blinking eyes, blurring the sky.

Happy. Calm. Before the tug.

That’s the true moment of terror. Right there.

A pull from somewhere below, hidden, unknown.

It comes again, with pain she cannot fathom.

Soon this thing will seize her, drag her, tear her –

This thing unseen by all but felt as fear.

And only we will hear her cries to heaven.

Thrashing in darkness her question shakes us –

Death cannot come like this, can it? Can it?

Punctured

‘You don’t go in the water, do ya?!’

The old man’s smile is gently mocking, bright

With silly, thoughtless fun, just like his hat,

Just like the boys now splashing as they throw

Themselves into the blue, with innocent delight.

But Brody looks beyond all this. ‘You’re tight,’

His wife observes as she attempts to ease

His stress with gentle, loving hands. But there,

Out there, some thing is looking back, unseen,

Yet holding him in thrall and rising to

Its task. He senses it but cannot speak

Until it’s all too clear. He’s shouting now

But no-one needs to hear. The signs are there –

The lilo, punctured, drifting. Blood. The tear.

 

Ben Gardner

Freeze the screen on just that face, that pallid

Moon in full dark sky, a shrimp emerging

From the lunar crater that was once…yes!

His eye! Freeze that shot. Go on. Hold it there.

And stare. You need to look beyond the shock.

There’s something greater working here, forcing

Us to swim back down to this strange meeting

With our fear. The thing that made us leap now

Makes us think. We see with bulging eye and

Gaping mouth that bloated face, that seems so

Horribly familiar, a rotting mask

Of terror hanging in this splintered frame.

A picture forcing us to ask is this

The glass? The mirror? God, are we the same?

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