The man was a legend and someone I had met and spoken with many times – as both a young fan of his work and, later, as a journalist.
His early contributions were one of the many reasons I became fascinated with the genre. When I was in elementary school, my teachers would show us films like The Golden Voyage of Sinbad and Clash of the Titans just before we let our for holiday break – and I was blown away. His contributions were a regular diet in my education of cinema. And because my father was so integral in exposing me to Harryhausen’s career, I wanted him to weigh in: “Passing of one of the true greats and a childhood hero. Very sad, but he lived a long, productive life and inspired probably everyone in the special effects field. Nice we had the chance to meet him years ago…”
I have to say, gang…the passing of Harryhausen hits hard. Inside, find the family’s official statement and more.
Raymond Frederick Harryhausen
Born: Los Angeles 29th June 1920
Died: London 7th May 2013.
The Harryhausen family regret to announce the death of Ray Harryhausen, Visual Effects pioneer and stop-motion model animator. He was a multi-award winner which includes a special Oscar and BAFTA. Rays influence on todays film makers was enormous, with luminaries; Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and the UKs own Nick Park have cited Harryhausen as being the man whose work inspired their own creations.
Harryhausens fascination with animated models began when he first saw Willis OBriens creations in KING KONG with his boyhood friend, the author Ray Bradbury in 1933, and he made his first foray into filmmaking in 1935 with home-movies that featured his youthful attempts at model animation. Over the period of the next 46 years, he made some of the genres best known movies MIGHTY JOE YOUNG (1949), IT CAME FROM BENEATH THE SEA (1955), 20 MILLION MILES TO EARTH (1957), MYSTERIUOUS ISLAND (1961), ONE MILLION YEARS B.C. (1966), THER VALLEY OF GWANGI (1969), three films based on the adventures of SINBAD and CLASH OF THE TITANS (1981). He is perhaps best remembered for his extraordinary animation of seven skeletons in JASON AND THE ARGONAUTS (1963) which took him three months to film.
Harryhausens genius was in being able to bring his models alive. Whether they were prehistoric dinosaurs or mythological creatures, in Rays hands they were no longer puppets but became instead characters in their own right, just as important as the actors they played against and in most cases even more so.
Today The Ray & Diana Harryhausen Foundation, a charitable Trust set up by Ray on the 10th April 1986, is devoted to the protection of Rays name and body of work as well as archiving, preserving and restoring Rays extensive Collection.
Tributes have been heaped upon Harryhausen for his work by his peers in recent years.
Ray has been a great inspiration to us all in special visual industry. The art of his earlier films, which most of us grew up on, inspired us so much. Without Ray Harryhausen, there would likely have been no STAR WARS
George Lucas.
THE LORD OF THE RINGS is my Ray Harryhausen movie. Without his life-long love of his wondrous images and storytelling it would never have been made not by me at least
Peter Jackson
In my mind he will always be the king of stop-motion animation
Nick Park
“His legacy of course is in good hands
Because its carried in the DNA of so many film fans.”
Randy Cook
“You know Im always saying to the guys that I work with now on computer graphics do it like Ray Harryhausen
Phil Tippett
What we do now digitally with computers, Ray did digitally long before but without computers. Only with his digits.
Terry Gilliam.
“His patience, his endurance have inspired so many of us.”
Peter Jackson
“Ray, your inspiration goes with us forever.”
Steven Spielberg
“I think all of us who are practioners in the arts of science fiction and fantasy movies now all feel that were standing on the shoulders of a giant.
If not for Rays contribution to the collective dreamscape, we wouldnt be who we are.”
James Cameron
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