carnage4u
08-10-2004, 11:02 AM
Info on cnn.com about where they are shooting this movie
"Some 40 documentaries have been shot within the vast controlled zone that rings Chernobyl and the nearby town of Pripyat.
Now, for the first time, a Hollywood feature film -- the zombie movie "Return of the Living Dead 4: Necropolis" -- has gained access to the infamous site.
Ukrainian-born producer Anatoly Fradis is proud -- despite the obstacles and the cost. "Up to a couple of days before we began shooting, it was touch-and-go whether they would let us in, and I had to pay more than I had budgeted to secure the permission," Fradis says, standing inside Chernobyl's first checkpoint inside the zone.
He's anxious to get started on two days of shooting on-location with director Ellory Elkayem and special effects zombie expert John Vulich of Optic Nerve Studios.
For a zombie movie, there's an odd lack of gore-covered extras with vacant stares. A 1960s open-top, Russian-made Chaika limousine serves as a rock-steady rolling camera bed for 11 scheduled shots here.
Most of "Necropolis" -- the fourth in a five-part series shooting back-to-back -- is shooting at the Bucharest, Romania studios where "Cold Mountain" was made.
The zombie-free Chernobyl scenes are for the opening, in which a rogue ex-CIA agent is seen stealing the world's last five canisters of Trioxyn gas, the lifeblood of the living dead.
"Chernobyl is very spooky and serves our purpose -- we are shooting in all these abandoned towns and villages, with rusting equipment lying around everywhere," Fradis says.
The sense of a post-apocalyptic world dawns as we follow the Chaika around the Chernobyl district.
Grass and shrubs sprout from holes in the sides of crumbling cottages. A graveyard for helicopters, fire trucks and other equipment used in the cleanup operation in 1986 stretches beside a road. In Pripyat, the deserted town that once housed the reactor's work force and their families, children's toys still litter the rubbish-strewn kindergarten, and fading Soviet slogans adorn the sides of gaunt concrete apartment blocks.
It's an unsettling experience that should translate into a chilling opening sequence, perfect for a movie titled "Necropolis."
"Some 40 documentaries have been shot within the vast controlled zone that rings Chernobyl and the nearby town of Pripyat.
Now, for the first time, a Hollywood feature film -- the zombie movie "Return of the Living Dead 4: Necropolis" -- has gained access to the infamous site.
Ukrainian-born producer Anatoly Fradis is proud -- despite the obstacles and the cost. "Up to a couple of days before we began shooting, it was touch-and-go whether they would let us in, and I had to pay more than I had budgeted to secure the permission," Fradis says, standing inside Chernobyl's first checkpoint inside the zone.
He's anxious to get started on two days of shooting on-location with director Ellory Elkayem and special effects zombie expert John Vulich of Optic Nerve Studios.
For a zombie movie, there's an odd lack of gore-covered extras with vacant stares. A 1960s open-top, Russian-made Chaika limousine serves as a rock-steady rolling camera bed for 11 scheduled shots here.
Most of "Necropolis" -- the fourth in a five-part series shooting back-to-back -- is shooting at the Bucharest, Romania studios where "Cold Mountain" was made.
The zombie-free Chernobyl scenes are for the opening, in which a rogue ex-CIA agent is seen stealing the world's last five canisters of Trioxyn gas, the lifeblood of the living dead.
"Chernobyl is very spooky and serves our purpose -- we are shooting in all these abandoned towns and villages, with rusting equipment lying around everywhere," Fradis says.
The sense of a post-apocalyptic world dawns as we follow the Chaika around the Chernobyl district.
Grass and shrubs sprout from holes in the sides of crumbling cottages. A graveyard for helicopters, fire trucks and other equipment used in the cleanup operation in 1986 stretches beside a road. In Pripyat, the deserted town that once housed the reactor's work force and their families, children's toys still litter the rubbish-strewn kindergarten, and fading Soviet slogans adorn the sides of gaunt concrete apartment blocks.
It's an unsettling experience that should translate into a chilling opening sequence, perfect for a movie titled "Necropolis."