Matt Dillon as Mike Cochrone
Jean Reno as Quinn
Laurence Fishburne as Baines
Amaury Nolasco as Palmer
Fred Ward as Duncan Ashcroft
Milo Ventimiglia as Eckehart
Skeet Ulrich as Dobbs
Columbus Short as Ty Hackett
Andre Jamal Kinney as Jimmy Hackett
Andrew Fiscella as Dispatcher #1
Nick Jameson as Homeless Man
Glenn Taranto as Joe the Cook
Lorna Raver as Child Welfare Agent
Directed by Nimród Antal
Producer and Cast Commentary
Planning the Heist: Making of
Crash Course: Stunts
Armed and Underground: Production Design
Dolby Digital 5.1 Surround Sound
Portuguese, Thai, Spanish and French Subtitles
Portuguese, Chinese, Korean, Thai, Spanish and French Language
Running Time: 88 Minutes
The following is the official description of the film:
“A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist…against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and all bets are off.”
“Armored” is rated PG-13 for sequences of intense violence, some disturbing images and brief strong language.
In a year where security guards have been lampooned and satirized by movies like “Paul Blart: Mall Cop” and “Observe and Report,” it’s hard to remember any serious heist thrillers that were told from the perspective of the men who protect the money. “Armored” offers a fairly simple premise about armed guards trying to rob their own truck of millions of dollars, and how things go horribly wrong, as these things often do.
Working from a screenplay by newcomer James Simpson, this crime thriller opens with a tight 20 minutes of character introductions and plot set-up, as we meet Columbus Short’s Ty Hackett, and watch him learning the ropes as a armed truck guard. In that short amount of time, we learn everything we need to know about him, such as the fact that he’s an ex-soldier taking care of a younger brother after the death of their parents. Facing serious money problems and the repossession of their house, Ty allows himself to be talked into getting involved with his co-workers’ plans to steal the truck’s largest payload, claiming it to be stolen in a hijacking, with the understanding that nobody will get hurt or caught. It doesn’t take long for things to go wrong and after the crew’s vet Baines (Laurence Fishburne) shoots a homeless man who sees them, Ty has a change of heart, barricading himself in one of the armored cars with half the money, as the other men desperately try to get him out, realizing his actions have put their master plan in jeopardy.
Once the actual heist goes into effect, most of the movie takes place within a spacious warehouse environment, seemingly moving forward in real time. Director Nimród Antal, who found new ways to explore the slasher genre with “Vacancy” does an equally good job creating a claustrophobic environment that would help elevate the tension between the men with so much money at stake. Driven by the character interaction, it’s a bit like the little-seen indie thriller “Unknown” involving a similar game of “last man standing” as the guys try to resolve their situation before getting busted.
The main reason why the development-heavy story works so well is that it’s performed by such a strong cast, particularly the likes of Matt Dillon and Laurence Fishburne, who have such a great chemistry together, it doesn’t take much imagination to see them as guards who’ve worked together for years. While they take the job very seriously, their playful humor helps create a fun vibe as the film opens, even if that means using a few already-overused movie jokes, like the one about large guns making up for other shortcomings. That joke is directed at Fishburne’s character, who is always waving a large shotgun around, and his performance is the only one that comes close to the scenery-chewing we’ve seen too many times in these movies. Character actors such a Jean Reno, Skeet Ulrich and Amaury Nolasco do a more than competent job filling the archetypes necessary for the genre.
On the other hand, Columbus Short has come quite a way in very little time, delivering an exceptional performance as the film’s protagonist. It’s probably one of the best things we’ve seen from the relatively new actor, even if some of the earlier characters moments involving him and Andre Kinney as his younger brother Jimmy tend to drag. It never feels like any of that time used to develop the characters is wasted later, and there’s only one moment where one needs to really stretch their suspension of disbelief as far as humanly possible. (As you watch the heist take place, you wonder why the security company doesn’t have any sort of GPS tracking on their trucks, which would have immediately given away the crew’s plan.)
The big problem is that the movie is very predictable, not just due to a genre which only allows certain outcomes in any situation, but also because the trailers and commercial have given away so much of how things play out. The audience for this type of crime-thriller will probably already have seen a lot of this type of movie, so there are only a few aspects of it that will feel new, although there are still at least a few surprises along the way.
The marketing giving up the plot isn’t the fault of the cast or Antal, who is a smart enough director not to get overly flashy with his direction, getting all the shots he needs to tell the story and essentially letting his strong cast do their thing. His skills are most evident during the well-paced chase scenes, mid-scale set paces that should be enough to appease the action aficionado, driven by a terrific score by John Murphy, who was also responsible for the music for Guy Ritchie’s first few movies. As strong as it is musically, it does tend to get overused and even gets overbearing at times.
It’s doubtful this by-the-books heist flick will be winning any awards, but for some fun escapist entertainment, one can (and probably has) certainly endured a hell of a lot worse, because this one at least offers a satisfying combination of action and strong character dynamics.
You’ll find a few bonus features included on the DVD. The audio commentary includes a producer, Skeet Ulrich and Milo Ventimiglia. There’s also a ‘making of’ featurette, a featurette on the creation of the set, and another on the stunts. Each are fairly lengthy and explore the topics in depth.