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Audio Commentary by Director Anand Tucker
Based on Steve Martin’s best-selling novella, and starring Golden Globe® winner Claire Danes (Best Actress in a TV Series, My So-Called Life, 1994), Golden Globe® nominee Steve Martin (Best Actor in a Motion Picture — Comedy/Musical, Father of Bride Part II, 1995), and Jason Schwartzman (Bewitched), Shopgirl is a disarmingly funny love story. Mirabelle, brilliantly played by Danes, is an aspiring artist working behind the glove counter at a Beverly Hills department store when she meets two very different men — Jeremy (Schwartzman), a socially inept guy who doesn’t seem to be going anywhere, and Ray (Martin) a wealthy entrepreneur who has the world at his feet. Filled with the mixed signals and missteps of a modern romance, SHOPGIRL is a fresh and witty, warm, and funny romantic comedy you can’t help but fall in love with.
Shopgirl is rated R for some sexual content and brief language.
But I’m getting ahead of myself.
“Shopgirl” starts by introducing Claire Dane’s Mirabelle, a lonely artist working in the glove department at Saks. She agrees to go on a date with the scruffy Jeremy after meeting him at the Laundromat, although he’s obviously very wrong. Besides never having any money, he dresses poorly, has no manners, and is utterly clueless how to deal with women. At first, it’s cute watching Mirabelle and Jeremy on their awkward first date and slightly less cute when they have their first failed attempt at intercourse. Mirabelle gives Jeremy a few chances, mainly to satisfy her own carnal needs, but then she meets a sophisticated older gentleman named Ray Porter, played by Martin himself, which is where things quickly go south.
I’ll openly admit to being somewhat skeptical and even slightly queasy about the age difference between Martin and his young starlet. Sure, it’s not like there aren’t young women who might agree to date and sleep with rich older menit obviously happens–but that doesn’t make me want to see it on screen. Ray Porter isn’t a particularly sympathetic character, and it quickly becomes obvious that Martin might not even have been the best choice to play him, because he’s turning off the part of himself that people like the most. The role would probably have been better suited for someone like Michael Douglas, who’s good at playing scumbags.
Claire Danes looks quite lovely, and quite nude in one memorable scene, but her performance is a bit lifeless, and most of the time, she seems to be channeling Mary Tyler Moore. You’re never sure whether you should feel bad for her situation with Ray or whether it’s her own fault for being so naïve and stupid.
On the other hand, Jason Schwartzman is hilarious, returning to “Rushmore” territory by competing with another older comedic actor over a girl. He offers most of the film’s best laughs, and you really do want to see Jeremy end up with Mirabelle. After all, it makes perfect sense that Max Fischer would end up with Angela Chase from “My So Called Life,” right? Although Schwartzman is clearly the film’s saving grace, the movie goes off on a tangent when it starts following Jeremy on the road with a rock band after being dumped by Mirabelle for Ray.
No matter how you slice it, “Shopgirl” really isn’t a comedy, which is a shame, because most people will expect more laughs based on the fact that this is Martin’s baby. After all, he is a comedian. Instead, we get a rather bland and uneven romantic drama about people who aren’t interesting enough to carry a story on a long-term basis, which makes you wonder what they might possibly see in each other.
Sure, some of Martin’s ideas work, like when Mirabelle is telling her coworkers about Ray Porter’s commitment to their relationship, just as he’s telling his shrink the exact opposite. It’s an interesting way to show how words and emotions can be misinterpreted. On the other hand, Mirabelle’s need for anti-depressants, which plays a huge part of her character in the novella, is glossed over and introduced matter-of-factly halfway through, as a subplot that is just as quickly discarded and forgotten.
Like Martin’s last screenwriting effort “L.A. Story,” the city of angels plays a large part in the very fabric of this movie’s existence, but “Shopgirl” isn’t nearly as memorable or endearing. The story somewhat works as a novella, but as a feature length film, not so much.
Honestly, I have no idea who might enjoy this movie. Those who liked the book may be disappointed by how much has been lost in the translation to the screen, and women certainly won’t think much of Claire Danes’ character, who is essentially the perfect woman, but only as filtered through the eyes of men.
“Evolution of a Novella: The Making of Shopgirl” This is your standard “making of” featurette. They focus on adapting Steve Martin’s book for the big screen. Director Anand Tucker is also featured along with interviews with the cast and crew, behind the scenes footage, and other goodies.
Deleted Scenes There are two deleted scenes. The first shows Mirabelle being bored in her apartment and waiting for messages on her answering machine. The second deleted scene shows Mirabelle and Ray at breakfast together where he reiterates that he doesn’t want an exclusive relationship.
Audio Commentary by Director Anand Tucker Unfortunately writer/star/producer Steve Martin doesn’t participate in the commentary. Instead we have Tucker who speaks extensively about the directing of the film (naturally), changes from the book, the characters, and more. He gets heavily into both the technical and artistic aspects of Shopgirl and it ends up being a decent commentary.
The Bottom Line: